Here are 4 ways to build the home for nature that your garden might be missing.
BY SAVANT MAGAZINE
Read MoreHere are 4 ways to build the home for nature that your garden might be missing.
BY SAVANT MAGAZINE
Read MoreIs stress starting to get the better of you? Here are some of the possibilities we recommend you explore right now.
By SAVANT MAGAZINE
Read MoreHow have the skincare products changed over time, and where are we heading?
By Brigitte Evans
Read More3 inspiring women from different corners of the world share with us how adventuring in nature has impacted their wellbeing.
By Meri Frig
Read MoreFinnish photographer Julia Kivelä takes us to dreamlike but oh-so-real natural landscapes, from Kilpisjärvi, Finland, to Lofoten, Norway, through the lens of her camera.
By Meri Frig
Read MoreFrom adventures in untouched nature to simply tuning into the sound of quiet, conscious journeyers are now looking for travel options further away from famous landmarks.
By Meri Frig
Read MoreFrom the rugged mountains to shimmering lochs, Scotland has plenty to offer for one who seeks a balanced life. Drawing inspiration from nature, the Scottish zero-waste brand Arra produces long-lasting handwoven textiles. Their bespoke products are timeless and easy-to-wear. We spoke to Lucy MacDonald, textile designer at Arra Textiles, about how her design inspiration aligns with slow design principles.
Words: Johanna Raudsepp
How did you end up in the world of textile design?
My art teacher at school suggested I look at studying textiles after I created a dress made from recycled materials. I studied textile design at university in Scotland and Finland, specialising in weave.
What is your favourite part about designing textiles?
I enjoy seeing a design evolve from being an idea in my head to a finished product and seeing and hearing people's reactions to receiving a piece as a gift or when they first see the work.
What is it about slow living and design that you love and why?
I like a piece to have a story behind it or meaning. I like to think that a blanket will be passed down through a family and become a part of a family's history.
Besides being sustainable in your creative approach, do you follow such principles in your daily life?
I try to buy clothes that will last and are made ethically and I use locally grown and/or home grown produce.
What has been the greatest thing you have learned along the way?
Patience! Starting a business is a slow but rewarding process! Also, people enjoy meeting the person behind the brand and like to have a story to go with a product.
You draw a lot of inspiration from the sea. How do you go about designing a new textile or print for Arra?
I take lots of photos and I make collages. I use the collages mainly for colour inspiration. I like to let the patterns develop by changing small parts of the design at a time.
If you had to describe Arra Textiles with a piece of music, this would be...
It's hard to choose just one piece of music to describe Arra Textiles, as I like to think that each collection has a different feel and mood to it. If I had to choose a genre of music then it would definitely be a symphony. Separate design influences of light, sea and the natural world are woven together like an orchestral score where colour hues, weave structures and carefully chosen yarns combine to create a harmony within the final piece.
You can purchase Arra Textiles here.
Words: Johanna Raudsepp
Lava landscape, sheep, waterfalls — it’s something common for an Icelander. However, I don’t think the country would hold such a significant place in my heart, if it wasn’t for its people. Their hospitality is like nothing I have ever encountered before — apparently it’s a law that if a traveller asks for water, Icelandic people are obligated to offer them some.
I got a real taste of the Icelandic spirit this summer. (And I don’t mean their herb schnapps called Brennivin — that’s a whole different story!). Since it was football season and Iceland was the underdog, the entire small town I was staying in, gathered at a local school to watch England vs Iceland on a big screen. And do believe me this time, the infamous Viking chant is even more frightening in real life than it is over the telly. HU! HU! HU! I almost got the chills. And we won! A country so little in population, but the passion, the fire they have in them, comes straight from those volcanoes, I’m pretty convinced.
Icelanders value their time — they don’t rush. They take time to eat and their love for food resonates everywhere. Camping trips passed only with delicious homemade food and barbecue. Fish plays a big role in their cuisine. In fact, I have gone camping, fishing and hiking on the island more times than I have in total in my entire life. Despite the harsh terrain and chilly weather, the views are breathtaking. I would hike every day just to see those views. One time, I even managed to see Hekla, the volcano that is about to erupt. It hasn’t blown yet, thank heavens.
My journey in Iceland continues in the East Fjords. I had never before driven through a tunnel in the mountains, and let me tell you, it is a bit frightening even after the first kilometres. Going from the capital, Reykjavik, to the East is a day-trip on its own. I cannot stress enough how many sheep and horses they have in the countryside. And most of the country IS countryside. At the other end of that tunnel was a view straight out of a storybook. The East is magical for someone hailing from a flat land by the Baltic Sea. You wake up in the morning, the sun, having just risen above the mountain, blazing through your window.
We drove up and down the mountainsides, waited for sheep to cross the road, and enjoyed a picnic at the Easternmost inhabited fjord in Iceland. We could almost see Norway! The most memorable moment was stopping on the side of the road to see a waterfall. The sun was warm on my skin, light sea breeze in my hair, the area was so remote that it was completely devoid of traffic. I took off my shoes and ran through the field of moss to the waterfall. I could not help but sing “Sound of Music” songs in my head. A moment of bliss. Time stopped. It was just me. And the mountains. The hills were alive.
I have tried my best to put my experiences down on paper, but seems like it’s never enough to pass the experience forward. One thing I can say, though — it’s a wonderful mixture of rustic, natural culture and environment, and of modern design, exquisite restaurants and beautiful music. A great thing about the Icelandic hospitality and inclusiveness is that I was fortunate enough to experience Iceland the true, authentic, Icelandic way. And I wouldn’t have it any other way.
Words: Johanna Raudsepp
Lately, applying my all-natural face moisturiser first thing in the morning has become like a second nature - it leaves my skin firm and gives it an immediate healthy glow. I couldn’t think of any fresher way of starting the day’s beauty routine. In Northern Europe, the appreciation of natural beauty is nothing unusual: it has gradually become sort of a trademark for us, which translates into our modern-day beauty industry, too. Natural cosmetics, consisting of pure ingredients derived from our surrounding biosphere, are nowadays widely known as bio-organic or eco-friendly cosmetics. As a cherry on top, these fuss-free superheroes often boast environmentally friendly packaging, too.
To further understand the buzz around fuss-free, bio-active cosmetics, we talked the essence of beauty with Piret from the Estonian cosmetics brand Sõsar (‘Sister’). Whilst creating their products from all-sustainable resources combining modern-day science with local folk medicine, Sõsar not only serves organic skincare products for women, but has introduced an entire range for everyday use for the modern, global man. Perhaps that rather unusual stunt reveals why we have fallen utterly in love with their all-natural range…
What is beauty?
Beauty is something very effortless that exudes from within. It reflects in our entity, the way we speak, [in our] physical stance and attitude towards ourselves and one another. Beauty is healthy, not artificial. It’s inside all of us already. [It’s] like a diamond which needs polishing to become a rare brilliant. The question is, will you polish your diamond or cover it with paint?
What inspired you to launch Sõsar?
Sõsar was born out of a personal need for cosmetics which would highlight natural beauty without damaging our skin and body with synthetic preservatives or colourants. I consider myself to be a bon vivant when it comes to cosmetics and skincare. I value the highest quality, the purest and the most effective natural products that help you stay youthful and glowing. [The idea] came to me once I realised that what is considered ‘best’ isn’t always the most expensive or dressed in the fanciest packaging. I quickly came to the conclusion that everything depends on what’s on the inside - the rest is often just a beautiful facade. As I soon found out there were others who shared my values and believed in the power of nature — thus Sõsar was born.
Aside from the obvious, why are natural ingredients better for our skin’s health?
Everything in nature is already in perfect balance — we don’t need to extract, add or remove any components. The compote of fabricated substances [that stand at the other end of beauty industry] might not even give the desired results, but will rather create an addiction to the products. We should get to know nature better and learn how to benefit from it, rather than fear it. Natural products help to create a balance in our organism. We don’t need to apply seven layers of make-up or moisturise our skin on a daily basis, because our body and skin have the natural ability to be healthy and glowing if we knowingly support that. I believe that we all are already beautiful when we wake up. It’s a whole different question, whether we have the ability to see that beauty.
Besides women’s cosmetics, Sõsar also offers products for the modern man. What is important to keep in mind when creating a beauty product for men?
What is most interesting about men’s products is that men need to be encouraged to use said products, especially for skincare. [They should keep in mind that] it doesn’t make a man less manly. In fact, [it is not a myth] that we, women, like men who are naturally handsome and take care of themselves. After all, men have the same kind of skin problems as women do. Healthy skin will give men confidence in building their career, and they will also benefit from that confidence in social situations…in their private lives. What’s great about natural products is that they are actually suitable for both men and women.
If Sõsar was a character in an upcoming movie, what would she look like? How would she take care of her skin?
Sõsar would be a character called ‘Natural Beauty’, who makes heads turn in awe as she enters the room. It’s not about the perfect brow or having the perfect hair. Her beauty reflects in who she is, her gaze, and how she walks. She’s mindful that knowing her worth, getting a good night’s sleep and weekly beauty rituals are the key to beauty and youthfulness. And she doesn’t take no for an answer. Fresh air, good quality food and an active lifestyle are an essential part of her life.
If you’re as obsessed with natural beauty as we are, go check out Sõsar’s webpage at www.sosar.eu where you purchase their skincare products. (PS! They ship all over the EU!)
Magnified flowers and Mexican landscapes will soon land in our capital. Don’t miss a rare chance to see Georgia O’Keeffe’s truly gorgeous (in every way) body of work, primarily because none of her work is on display in public collections in the UK. She was best known for her abstract paintings and depictions of natural forms.
This will be the first exhibition of O’Keeffe’s work in 20 years. Come first and foremost to challenge the female vs male divide, a topic O’Keeffe’s paintings so naturally conjure up.
The highlight of the show for us will be Jimson Weed / White Flower No. 1 (pictured), the most expensive painting by a woman ever sold at auction (not a small feat Georgia). The exhibition will open with her charcoals that were first exhibited in 1915 and will end on more conceptual river scenes from the early 1960s, an unfeigned journey through her life and career.
From July 6th at The Tate Modern’s Eyal Ofer Galleries, this is really a show not to be missed. Head over on a Summer afternoon in your very best attire to get lost in the ethereal landscape of O’Keeffe’s New Mexico.
July 6th – 30th October 2016